#Samuel Steward

[ratatoskryggdrasil]

Sam Steward, Narcissus, 1950

[formerlibrarian]

My book purchases in March.

[cowboysorceror]

if you don't believe that the child of Lois Lane is a little bit salt & vinegar you are mistaken <3 ID in alt text

[kitkat-artcorner]

Favorites!! ♡♤◇

Okay so after some thinking, I've found my Top 3 in Return of the Obra Dinn!

(Hidden below 4 spoilers of the game)

1st Fav is obviously Davey James, he's the most adorable crew member, part of the younger group and he even survives with the other 3 later on. I kinda wish we got 2 see more of Davey as he seems to stick out from the other young crewmates (my poor boy doesn't even get a voice actor :'[ )

2nd Fav is Martin Perrott, the best mate and Dad on the Obra Dinn, didn't deserve 2 die RIP a real one. What makes me like him so much is not only does he have a heart of gold, but he's incredibly strong, brave and kinda good looking, 10/10 Dilf lol

And my 3rd Fav..

Samuel Galligan.

There's not much to say about the man, he's old, weak, and from what I've seen, just as big of a bitch as his officer.

What makes me love him so much? I love how he's pathetic and weak, I feel like it'd be fun to crush him, he's a vase near the edge of a counter and I am a cat ready to push him and watch him crumble

And that's it! Hope you enjoyed :3

[dreaminginthedeepsouth]

Last night I watched, from end to end, what's certainly the loveliest, lushest—and last—of Alfred Hitchcock's three Grace Kelly films: "To Catch a Thief" (1955).

"It takes a thief to catch a thief"—those of my age (81) remember it from our childhoods; and here Hitch demonstrates exactly how. He divides the intrigue between the sound stage and lots of wonderful on-location shots on the Riviera, with a car chase that is elegant and dreamy. But you're totally taken in, and only a few of the green screens give away the basic nature of the money-saving meld: most of the film he shot on the Paramount lot.

The overall narratives shifts from bright and full of glowers and markets to dark and harsh, climaxing with Edith Head (the costumier) getting to dress an entire Fancy Dress Ball (here we'd say "Costume Party").

In the late 50s and 60s, the film more or less fell out of favor, because the audience is maneuvered into thinking that Cary Grant arrives at the ball, with gutsy mother and equally gutsy Grace, disguised as a blackmoor. (Oh, horrors! Oh, racial abomination . . . ! A man in a dead black full-face mask, beneath a turbin! What *must* it do to our kids? Answer: Nothing.) It turns out, however, it's a ruse that frees Grant to pursue the real villain, played by the charming counter-blonde to Kelly, spunky Abigale Bridgette, over and around the tiled rooves of the sprawling Chateaux.

It's a film I saw only once, and I think even that was online.

There are no meguffins—unless the jewels our carefully set up cat knipper, John Robbie, steals fill *that* part, which he uses to flush out the copycat criminal who is endangering his own freedom.

The final one-handed lift—that Hitch will go on to parody at the end of *North by Northwest,* with James Stewart and Eva Marie Saint—is here established almost believably.

Grant started out, we learn, as a circus acrobat, before he joined the resistance, and made a fortune as a real cat burglar—and spent his time in jail for it—though it goes by *very* fast in the dialogue.

The earlier two films, both released in '54, were—of course—*Dial M. For Murder* with Kelly and Ray Malland (there was even a 3-D version released, though rarely played in theaters), and *Rear Window,* with Kelly and Jimmie Stewart, which is an entire community study.

The first ten minutes of ". . . Thief," which leads us up Hitch's cameo, on the back seat of a '30's bus, is all brilliant metaphoric suggestion. . . and the kind of thing with animals that someone like Tourneur might try with a great script in 1950's, "The Flame and the Arrow.

Hitch loved long rhythmic takes, with lots and lots of focus pulling, which he took to the limit in "Rope"; and he was the master of the shock edits he would make his signature in 1960's *Psycho,* at the Bate's motel . . .

But for use of Vista-vision, broad screen filming, and beautiful trips down to the sea (and even within it), this is the one you gotta see . . .

[Samuel Delany]

[putall]

Samuel M. Steward aka Thor, 1954

[eddy25960]

Sam Steward (1909-1993) - scratchboard.

Sam Steward, born Samuel Morris Steward (1909 – 1993), also known as Phil Andros, or Phil Sparrow. The talented and charming Samuel M. Steward began his career as a novelist, professor of English at Chicago’s DePaul and other universities, and an editor of the World Book Encyclopedia. His letters to Gertrude Stein in the early ’30s led to a close friendship with her and Alice B. Toklas. “Sammy” periodically visited them in France, shared artistic insights, and befriended many in their circle. A fine draughtsman, he was also an American tattoo artist.

(Don Bryson publication)

[cinematic-literature]

Can You Ever Forgive Me? (2018) by Marielle Heller

Book title

The Russia House (1989) by John Le Carré

Dear Sammy: Letters from Gertrude Stein and Alice B. Toklas (1977), edited by Samuel M. Steward

The Prince of Tides (1986) by Pat Conroy

The Magus (1965) by John Fowles

Possession (1990) by Antonia Susan Byatt

[docgold13]

Heroes & Villains The DC Animated Universe - Paper Cut-Out Portraits and Profiles

Sam Young

In the future era of Batman Beyond, Samuel ‘Sam’ Young acted as the district attorney of Gotham City.  He was a tireless steward of law and order who managed to navigate the frequently corrupt justice system in the city without compromise.  

Sam met Barbara Gordon when she was a detective with the police department.  Their mutual respect for one another eventually blossomed into a romance and the two eventually married.  It remains unknown whether or not Barbara ever told Sam about her past life as Batgirl.  Gordon would go on to become police commissioner while Sam was elected to district attorney and the two enjoyed a happy marriage.   

Young’s dogged pursuit of ridding Gotham of organized crime frequently put his life in danger.  While pursuing charges against the foreign arms dealer, Fyodor Davic, Young found himself targeted by the Society of Assassins who dispatched their deadliest agent, Curaré, to do him in.  Young was saved by Batman and Davic was successfully prosecuted and charged.  

Some time later, Young’s office drew up legislation to outlaw cosmetic splicing.  This put him in the crosshairs of the villainous Abel Cuvier who sent his agents to kill the attorney.  Once again Sam was saved by the Batman, the legislation passed and Cuvier was taken down.  

Despite the constant threats to his safety, Sam Young never wavered in his pursuit for justice.  He never donned tights or had a catchy codename yet was nonetheless an equal among the greatest heroes of Gotham City.

The legendary Paul Winfield provided the voice for Sam Young with the intrepid DA first appearing in the twelfth episode of the first season of Batman Beyond, ‘A Touch of Curaré.’

[trustfallwithgod]

Via Steward & Son

We must trust in God’s faithfulness. God is sovereign, nothing happens that is outside of His control. God can and will work good from everything that happens as we put our trust in Him.

The Prophet Samuel knew that the people needed to see a demonstration of God’s greatness. They needed to be reminded that God has great power.

In the time of harvest in Israel, rain was very unlikely and even more unlikely that someone could predict it.

Samuel prophesied that he would call and the Lord and the Lord would immediately send thunder and rain to demonstrate His power. Saying: “I will call upon the LORD, that he may send thunder and rain. And you shall know and see that your wickedness is great, which you have done in the sight of the LORD, in asking for yourselves a king.” (1 Sam 12-:17)

Samuel then prayed, God sent thunder and rain and the people feared God and His prophet Samuel.

But God doesnt want your fear. He wants your trust. Rest in Him and watch Him accomplish miracles

[ratatoskryggdrasil]

Sam Steward

[focsle]

Mutinies Aboard Whaleships

Hello! Here’s a long thing I spent my morning on about mutiny.

An 1840s illustration of an overturned whaleboat, with a skull and a crossed harpoon and lance over it.

With the often terrible conditions on board whaleships, one might expect mutinies to have been a common occurrence, but ones that led to bloodshed and taking command of a ship were actually very rare. Whalers who were unhappy tended to just desert at the next port. Others made their demands sometimes in the form of damaging the ship, or more commonly through work stoppages (which I wrote about more at length here). When it came to work stoppages, the Captain often acquiesced, as the unique pay structure of whaling meant that everyone was equally beholden to the success of the voyage. It was easier and more productive to hear out and try to address the demands of the crew than to resist and have a poor voyage.

There were however, a few notable violent mutinies that found themselves plastered over the newspapers. The Globe of Nantucket, January 1824, and the Junior of New Bedford, December 1857.

Alexander Starbuck, in his 1870s record of the history of the industry made a note alongside the Globe’s doomed 1822 voyage: ‘On this voyage and on this ship occurred the most horrible mutiny that is recounted in the annals of the whale fishery from any port or nation.’

Content warnings for Violence & Death under the readmore.

The Globe mutiny was unique and particularly haunting in that it wasn’t a result of boiling tension or displeasure on a difficult voyage. The instigator, a 22 year old boatsteerer named Samuel Comstock, specifically signed on the ill-fated whaler with premeditated slaughter in mind. His aim was to eventually kill all the officers, take the ship by force, sail it to an island in the South Pacific, and create his own Kingdom on said island over which he would rule (the last bit, as one might expect, did not work out for him). 

In January 1824 near Fanning Island, Samuel’s 15 year old brother George was at the wheel, and made move to shake a rattle to relieve himself of his watch. He was harshly stopped by Samuel, who was plotting to carry out his plans that night and didn’t want anyone awakened:

“I had scarcely begun to shake it when Comstock came to me and said if I made the least damned bit of noise he’d send me to hell. This was very sudden and alarming to me his suspecting nothing I began to rattle but was thus suddenly checked by a brother in flesh but not in heart for if he had been he would have put away this wicked design thinking it would ruin me forever for little did he think I would ever get home to tell the fatal news.”

Samuel was accompanied by a handful of other mutineers, but it was he alone who did the killing, murdering the captain and officers by axe, by boarding knife (a three foot double-edged blade used for cutting blubber), by pistol, by drowning. In the midst of this bloodshed he returned to his brother George.

“After killing the mate Comstock came up to light a lamp at the binnacle. I then spoke to him and asked him if he was going to hurt Smith, the other boatsteerer he said yes he should kill him and asked me where he was I told him I had not seen him (although he had been aft talking with me) for fear if I told the truth he would kill him or go in pursuit of him. he perceiving me shed tears asked me what I was crying about I informed him that I was afraid they were going to hurt me he told me he would if I talked that way this rather silenced me from fear of myself.”

Rather than killing the boatsteerer Smith, Samuel, after his particularly brutal display of violence towards the commanding officers, effectively intimidated the rest of the crew into serving under him. Boarding knife in hand, he proclaimed ‘I am the bloody man and I have the bloody hand’.

A 19th c. whaler’s boarding knife.

George was ordered to be steward, and the rest of the crew was first commanded to clean the gore from the cabins. They operated under a set of laws Comstock put forth, as they set course for the Marshall Islands to complete his designs:

“That if any one saw a sail and did not report it immediately, he should be put to death! If any one refused to fight a ship he should be put to death; and the manner of their death, this—They shall be bound hand and foot and boiled in the try pots, of boiling oil!” Every man was made to seal and sign this instrument, the seals of the mutineers being black, and the remainder, blue and white.”

Tensions grew on the ship. One mutineer was hanged on board when Comstock suspected him of wanting to take command of the ship. And the other initial men who joined up with him (as well as, of course, the others who had played no part) also suspected that when they arrived to Comstock’s destination of Mili Atoll, he was going to destroy the ship and kill everyone who came with him. They landed on the atoll on February 14th, and three days later the other mutineers shot and killed Comstock. They sent a party of six of the crew (George among them, and led by the boatsteerer Smith) to secure the Globe lying at anchor, not anticipating those six might strand the mutineers on the island. Hastily, as soon as they got aboard the group of men cut the anchor chain and sailed away for help, eventually reaching Chile. 

The surviving mutineers and two young lads, Cyrus Hussey and William Lay, were all who remained on the island. Tension also existed between the mutineers and the islanders on Mili Atoll, who were suddenly met with a group of castaways trying to aggressively impose their control over them. Ultimately, the mutineers were killed by the islanders after they tried to intimidate them. Cyrus Hussey and William Lay were spared. They were mostly kept separate from each other in two different communities on the island, where they lived mostly-peaceably with the islanders until they were eventually retrieved on November 25th by a naval schooner, the USS Dolphin, that was sent to rescue them.

“The Death of Samuel Comstock”. An 1840s illustration of Samuel Comstock falling back in the sand on an island, a cutlass in hand and a gunshot wound it his chest. From ‘The Life of Samuel Comstock, the Terrible Whaleman”

—

The other notable mutiny was that of the Junior, out of New Bedford at the close of 1857. This mutiny was more a result of ill treatment on board reaching a breaking point. The voyage was plagued with the usual bad luck, an inexperienced first-time captain, rotten food, and abusive officers. One man, a 24 year old boatsteerer named Cyrus Plumer, had a reputation of being rash and hot-headed. Prior to his signing on the Junior, he had been on another whaling vessel three years before where at one point he approached a fellow boatsteerer trying to get his support in staging mutiny to overthrow the captain and take the ship but, not finding it, deserted.

On the Junior, he found more support. On December 25th, 1857 Plumer encouraged the men (many of whom had had a bit too much to drink in light of the holiday) to take the ship that evening. The mutineers killed the captain and third mate, similarly as above, with a whaling gun, hatchet, a boarding knife, a blubber spade. The first and second mate were injured, with one taken prisoner by the mutineers and the other managing to stow himself in the lower hold for 5 days with a pistol with three shots, little water, and no food. A confession composed by the main mutineers in the ship’s log after the deed speaks to what happened after:

“This is to certify that we, Cyrus Plumer, John Hall, Richard Cartha, Cornelius Burns, and William Herbert, did, on the the night of the 25th December last, take the ship Junior, and that all others in the ship are quite innocent of the deed. The captain and third mate were killed, and the second mate was wounded and taken prisoner at the time. The mate was wounded in the shoulder with balls from a whaling gun, and at the time we fired we set his bed on fire, and he was obliged, for fear of suffocation, to take to the lower hold, where he remained until Wednesday afternoon. We could not find him before, but we undertook a strict search and found him there. We promised him his life, and the ship, if he would come out and surrender without any trouble, and so he came out. Since he has been in the ship he has been a good officer, and has kept his place. We agreed to leave him the greater part of the crew, and we have put him under oath not to attempt to follow us, but to go straight away and not molest us. We shall watch around here for some (time), and if he attempts to follow us or stay around here, we shall come on board and sink the ship. If we had not found Mr. Nelson the ship would have been lost. We have taken two boats and ten men, and everything that We wanted. We did not put Mr. Nelson in irons on account of his being wounded, but we kept a strict watch over him all the time. We particularly wish to say that all others in the ship but we five aforesaid men are quite innocent of any part in the affair.

Ultimately the mate did not keep his oath, making course for Sydney, Australia once the mutineers were out of sight in their boat. He alerted the shipowners of the situation, and word went round the globe. The mutineers were captured in Melbourne, February 1858, and brought to trial back in New Bedford. They were transported aboard the Junior itself, fitted out with prison cells to hold them. The case went all the way up to the Supreme Court. In April 1859 Plumer was found guilty of murder, and Cartha, Herbert, and Charles Stanley of manslaughter. The others were pardoned.

Plumer objected to his death sentence in a statement to the courts, saying first that he was not the man who killed the captain. That he indeed fired a shot at him but missed, and another crew member, Charles Fifield later killed the Captain with a hatchet.

“[he] stated to another person that I ‘missed the captain but that he did not miss him’ and boastingly showed the blood on his guernsey frock saying ‘it was the captain’s blood, and that he was the butcher’.

Plumer said that in the trial this man ‘wickedly sworn his own crime on my head’. He also stated that he didn’t take life but preserve it, in sparing the other two wounded officers. Officers who he ultimately held guilty for the mutiny in the first place through their complicity:

“The real culprit—the most guilty person in my judgement—the one who’s contriving brain and intiguing heart were the instigating cause of the conspiracy and mutiny on board the Junior”

He found no sympathy and was sentenced to hang, but his sentence was commuted to life in prison by president Buchanan, and then he was later fully pardoned 15 years later by president Grant.

A daguerrotype of four of the mutineers after their capture in 1858: Plumer, Rike, Cartha, and Stanley, sitting in a line against the wall with serious expressions, the first three dressed in dark suits, the last in just a shirt.

—

These two mutinies garnered particular interest because they were so rare. Again because if people were unhappy they tended to just���ditch, rather than shed blood. And also partly because some captains also reacted with their own violence at the prospect of mutiny, and found themselves pardoned by their peers for it. An example of this can be found in an article in the New Bedford Mercury, Dec 18, 1849. I’m curious about captain Issac Hussey’s relation to Cyrus Hussey, if there be one, and if that experience informed his zero tolerance.

“In June last, while cruising in the vicinity of the King’s Mill Group of Islands, the crew of the Planter, led on by a few desperate fellows, refused duty, alleging as a cause that the ship had cruised long enough, and should go into port. Capt. Hussey refused to comply with the demands of the crew, whereupon they armed themselves with knives, handspikes, boarding knives &c. and threatened the lives of the captain and officers unless their demands were immediately complied with. Capt. H. endeavored to reason with them, and upon going forward to do so was met at the try-works and forced back. After several ineffectual attempts to induce the crew to return to their duty, and finding that they had determined to force the captain to return to port or take possession of the ship, Capt. H. ordered the ship’s muskets to be brought upon deck and loaded with ball cartridges. He then addressed his crew, stating his determination to maintain his authority on board if need be at the cost of life, and gave them a half hour to consider the matter and make up their minds whether they would return to duty. At the expiration of the time, he again addressed them, and finding that they still persisted in their mutinous intentions, he very coolly and resolutely informed them that he had determined upon the course for him to pursue—that he was a good shot, and that the first man who, on being commanded by him, refused to obey, would be shot dead upon the spot. He then took up a tried musket and calling one of the ringleaders by name, ordered him to come aft; the only answer to which was defiance. Capt. H. then levelled his gun and fired. The ball entered the temple of the mutineer and passed out the opposite side of the head, and he fell dead upon the deck. The same course was then pursued with another of the ringleaders, who with the remainder of the crew preferred returning to their duty to being shot at—and the ship continued on her cruise. The peril to which the vessel and crew were exposed by the conduct of the mutineers will doubtless furnish to the minds of all a sufficient justification for the extreme measures to which he was compelled to resort, and afford to him ample vindication by the laws of his country.”

It was a bloody world all around—oft times whales, sometimes men.

[goingtoweather]

Full crew list! With names, ranks, and ages! (tho some have less detailed portraits since they've only really shown up in the background at this point). I'll update periodically with better pics.

Name: Barzillai Waite Rank: Captain Age: 46

Name: Adelaide Waite Rank: Captain's wife Age: 34

Name: Eric Mathews Rank: 1st mate Age: 32

Name: Ezra Carter Rank: 2nd mate Age: 25

Name: Charles Allen Rank: 3rd mate Age: 34

Name: Lawrence Manner Rank: Greenhand Age: 26

Name: Josué Cabral Rank: Ordinary Age: 22

Name: Bastien Addo Rank: Ordinary Age: 28

Name: James Barnard Rank: Ordinary Age: 29

Name: Joseph O'Reilly Rank: Ordinary Age: 23

Name: Jackson Pells Rank: Greenhand Age: 17

Name: Silas Dickey Rank: Greenhand Age: 16

Name: Enoch Pike Rank: Cooper and Carpenter Age: 32

Name: Abnur Wright Rank: Ordinary Age: 20

Name: Luis Sela Rank: Ordinary Age: 21

Name: Samuel Nelson Rank: Greenhand Age: 21

Name: William Williams Rank: Boatsteerer Age: 27

Name: Frank Iona Rank: Greenhand Age: 19

Name: Francis Goldwhit Rank: Boatsteerer Age: 23

Name: Martin Amos Rank: Boatsteerer Age: 27

Name: João de Silva Rank: Boatsteerer Age: 24

Name: George Lee Rank: Ordinary Age: 26

Name: Ephraim Murray Rank: Cook Age: 41

Name: John Gillipse Rank: Steward Age: 18

Name: Apollo Delaman Rank: Ordinary Age: 21

Name: Peter Fortune Rank: Ordinary Age: 28

Name: Afonso Borges Rank: Greenhand Age: 23

Name: Ed Barker Rank: Ordinary Age: 25

Name: Josiah Ripley Rank: Ordinary Age: 23

Name: Scupper Rank: Mouser extraordinaire Age: 3

[shoshiwrites]

1. Contact sheet shows Tuskegee airman Woodrow W. Crockett; Edward C. Gleed, Lawrence, KS, Group Operations Officer; and others at the left.

2. Contact sheet shows a large group of Tuskegee airmen attending a briefing. Among those shown are: Hiram E. Mann, Cleveland, OH; Newman C. Golden, Cincinnati, OH; Bertram W. Wilson, Jr., Brooklyn, NY; Samuel W. Watts, Jr., New York, NY; Armour G. McDemoe, Martinsville, VA; Howard C. Gamble, Charles Town, WV; Harry T. Steward, Jr. Corona, NY; Earle R. Lane, Wickliffe, OH; Wyrain T. Shell, Brooklyn, NY; Harold M. Morris, Seattle, WA; John E. Edwards, Steubenville, OH; John H. Porter, Cleveland, OH; James H. Fischer?, Stoughton, MA; Wyrain T. Shell, Brooklyn, NY; William E. "Porky" Rice?, Swarthmore, PA; Tony Weaver?; Charles L. White?, St. Louis, MO; George Arnold Lynch, Valley Stream; Samuel L. Washington, Cleveland, OH; Calvin J. Spann, Rutherford, NJ, Frank N. Wright, Elmsford, NY.

Ramitelli, Italy. Toni Frissell, March 1945.

Library of Congress Prints and Photographs Division

[necromancers-incorporated]

Magnus Protocol Thoughts So Far (by episode)

EPISODE ONE: FIRST SHIFT

1. Alice and Teddy obviously quite close

2. Reference to app — Colin outright angry at someone

3. Alice created them???

4. Alice spoken about Sam a lot

5. WHATS WITH THE FOOD LENA

6. Lena on about importance of organisation

7. Never getting out of here Colin?

8. Gwen vs Lena go go go

9. Alice accusing Gwen of nepotism

10. Pub name is Steward

11. DID THE WORK STATION TURN ON BY ITSELF LIKE THE TAPE RECORDERS

12. Response one to one? Hm? Old response department??

13. Colin what do you know about Freddy!?

14. Norris = Martin's voice – strangely human

15. Figure in cemetery = stranger and/or flesh?

16. Email from H? Who is H? Suspicious.

17. Gwen likes her job? Hates it?

18. Enemies to lovers Gwen and Alice go go go

19. Gwen vs Lena again go go go

20. Get her ass Gwen go get that job girlboss

21. What does climbing the ladder entail Lena? Hm?

22. Camera zooming noises!!!

23. Colin does not sound pleased about the app

24. Colin and Alice clearly close

25. Colin speaks German and is vegetarian funsies

26. AWFUL TERRIBLE THINGS LAND PEOPLE THERE WHAT WAS GWEN'S HELP

27. RED CANARY RED CANARY GET OUT GET OUT GET OUT

28. Mag Institute in Manchester?

29. PICTURES DONT WORK AND PARANOIA

30. Burnt down 20 years ago hmmmm

31. ASYLUM OR PRISON HM?

32. Brutal pipe murder stains?

33. Camera not working? Distorted?

34. Got doxed hm interesting interesting

35. Yes. Yes they should. Keep canaries above ground please.

36. EYES

37. Aw Gwen checking on Sam

38. Chester = Jon's voice saying GET THE FUCK OUT

39. What do you know about the institute Sam?

40. Hah! Gwendolyn

41. Hmmm Alice talking about having victims...

42. Colin talking to the fucking computers who are you trying to find

43. GWEN BOUCHARD FUCKING *BOUCHARD

**EPISODE TWO: MAKING ADJUSTMENTS

1. Gwen why do you know all this shit

2. Hm how long have you been there Gwen?

3. Obsession with perfectionism

4. What the fuck do you mean Lena is firing people!?

5. Why isn't Gwen respected? Hm? Nepotism reference again?

6. Alice's brother in a band?? Dredgerman?

7. Sam why are you so curious hm!?

8. DO NOT FUCK AROUND AND FIND OUT DO NOT

9. Ink5soul definitely going to come back, love them for that

**EPISODE THREE: PUTTING DOWN ROOTS

1. A dot jmj error? Hm? Colin thinks it's sentient?

2. Alice and Colin buddies love that

3. Colin doesn't like central IT hm I wonder why

4. Why is he so against giving the computer a personality?

5. Colin is so fucking Scottish istg

6. Dr. Samuel Webber has a grief counsellor

7. 13 Marigold Drive (Webber's address), 12 Castle Hill Avenue (Gerald Andrews), Madie Webber is deceased

8. More paranoia nice

9. Community watch you say?

10. Hmmm corruption vibes...

11. I feel like the garden might come back later like Ink5oul

12. ALICE STOP PREDICTING YOUR OWN DEATH PLEASE

**EPISODE FOUR: TAKING NOTES

1. Sam what are you looking into hm!?

2. MAGNUS AND PROTOCOL WHAT DOES THAT MEAN

3. Why were other people looking into it?

4. Alice what do you know about the Magnus Institute!? WHAT IS STARKWALL!? MASSACRE? PRIVATE MILITARY SHIT!? WHAT

5. Why is Gwen so against naming the voices too? She knows something I'm sure of it

6. Augustus hmmm who are you

7. Go old man go, go murder your teacher slay

8. STRANGE MUSIC YOU SAY HMM LIKE THE CALLIOPE

9. BEING PUPPETED ABOUT HM? WEB MUCH!

10. Evil violin man in the woods he will return again

11. The face of fortune? Is Fortune a new entity or something?

12. Player and instrument roles are blurred hmmmm

13. Hmmm murdering students HOW

14. Violin = ye old Grifter's Bone

15. Violin more like violence (aka mass murder)

16. Ooh yay more eye gore FUN

17. I wonder what the nephew did with the violin

18. WHAT OTHER STORIES HAS AUGUSTUS READ

19. Gwen and Alice's vibes I eat that shit up

20. LENA WHAT THE FUCK DID YOU KILL KLAUS!?

**EPISODE FIVE: PERSONAL SCREENING

1. What the fuck is wrong with you Colin (affectionate)

2. CAMERAS CAMERAS CAMERAS PARANOIA EYES EYES BEING WATCHED LENA IM WATCHING YOU

3. WHY ARE YOU TALKING ABOUT KEEPING SECRETS LENA HM?

4. Sam what have we said about fucking around and finding out. Just gonna fill it out anyway ffs goddammit

5. Lonely you say? Interesting.

6. ONE MAN'S TRASH IS ANOTHER MAN'S TRERROR TMA EP 5 REFERENCE

7. Why are all the posts deleted?

8. Voyeur? Hm. Ha. Eyes.

9. 2009? The same year you started your horror blog?

10. Oh they just found your address did they? Not raising any suspicions?

11. HA ITS THE SAME CINEMA THAT YOU THOUGHT WAS CLOSED HOW NORMAL

12. Adding "getting babadooked" to my vocabulary now

13. My guy is just insulting the cinema alright pal

14. Oh haha unintelligible hmmm. No.

15. ITS WHATS ON THE INSIDE THAT MATTERS IS IT

16. SAME OLD GUY DOING EVERYTHING

17. Stop it with the fucking "unintelligible"

18. SOUNDS FAMILIAR DOES IT HM I WONDER WHY

19. YES YOU FUCKING KNOW THAT ROOM OF COURSE YOU DO

20. Fuck off who is there watching you. I'll put money on the fact that it's Lena or smth

21. Oh, definitely not him posting that last message

22. More Alice and Luke, giving some real Tim vibes now. Living jn FEAR

23. Gwen stop lurking and being secretive

24. You're right Alice, something is very wrong.

**EPISODE SIX: INTRODUCTIONS

1. Aww sleepy Sam

2. Why are you warning him against the coffee Alice?

3. WORKED THERE FOR ALMOST A DECADE ALICE? SERIOUSLY?

4. Ah yes. The true enemy is the sun. Of course.

5. Sam is a cat confirmed (mlem)

6. NEW HIRE NEW HIRE NEW HIRE

7. Haha eating people. Fun. Christmas party episode?

8. Gwen is not pleased by the new hire, who is shocked

9. I've decided that Gwen = Jon, Alice = Tim, Sam = Martin

10. Fuck me I hate needles so much they freak me out god (haha phobias being played on now)

11. Needles is such a funky little guy he is trying his best and is so calm and chilled

12. Creepy creepy creepy

13. HOLES AND NEEDLES STOP PLEASE

14. Oh you grew up there? Are we gonna get some lore?

15. Ah. You are the reason it is unsafe.

16. WHAT DO YOU MEAN MARKED? MARKED BY WHAT?

17. Definitely feeding on something. Hahahaha. Stop.

18. STOP WITH THE NEEDLES IN EYES I FEEL SICK

19. Poor Needles no fear for you to eat :(

20. Needles is going to fuck me up

21. "You're clearly not well" STOP

22. This man has fear maths

23. Ha. Cuddles. No.

24. I feel very unwell

25. "Maybe they'll kill again" ALICE PLEASE STOP

26. IS THAT SCARY ALICE? HOW LONG HAVE YOU BEEN THERE?

27. Ha. Lena the big bird.

28. CELIA FROM THE CULT WITH MELANIE AND GEORGIE

29. WHAT'S WITH THE FUCKING FOOD LENA WHY MUST THEY BEEN EATEN ON SITE

30. Why do you know what's in the interviews Alice? Why do you know it changed?

31. Nightmares?

32. Gwen is so fucking mean I love her

33. "Four weirdos in a basement reading scary stories" my my isn't that familiar

34. Celia = Sasha

35. Hm yeah sure you won't get attached Alice

36. Food as a love language Sam

37. ALICE WHY DO YOU HAVE YOUR OWN HIDDEN FOOD

38. Sam with a crush on Celia funsies

39. Tall Alice confirmed

**EPISODE SEVEN: GIVE AND TAKE

1. Celia why are you asking so many questions about the voices?

2. REFERENCING THE FUCKING FEARS ALREADY OKAY (defo tma Celia)

3. Big sister Alice

4. HILLTOP HILLTOP HILLTOP

5. WHAT HAPPENED AT HILLTOP

6. This one is reading a lot like the old statements

7. No name? Hm? A...stranger?

8. Another stranger? Interesting.

9. Weird fucking donations. OK.

10. Ha! Teeth.

11. Are these the kids from Dr. Elliott's class?

12. Haha. No keys. That's not disturbing at all.

13. All for a good cause? I think the fuck not.

14. MOULDY FOOD PLEASE NO

15. Okay. Stop. Freaking out with this claustrophobia.

16. Gunshots? Excuse me?

17. Very very much like the old statements. Celia, want to tell us something?

18. HILLTOP ON FIRE IS IT? OH. I WONDER WHY.

19. OH MY GOD WAS IT STARKWELL IS THIS THE STARKWELL GROUP

20. YOU RECOGNISE CHESTER'S VOICE!? FUCK OFF

21. NOBODY IMORTANT NOBODY FUCKING IMPORTANT

22. JON! WHY ARE YOU TALKING ABOUT JON, SAM!?

23. GWEN WHAT DO YOU HAVE!?

24. OH YOU ARE SHOWING ALL YOUR CARDS RIGHT HERE RIGHT NOW BITCH

25. LENA WHAT THE FUCK

26. Okay so she killed him in self defence.

27. WHAT SOURCE GWEN!?

28. Ah. Of course. It's all for the job.

29. Oh, Gwen. Don't get involved. Please don't.

30. EXTERNAL LIASON? REAL WORK?